She lived in quite a few different places, but this is just within New Mexico. See more ideas about georgia o keeffe, o keeffe, georgia okeefe. Sort: Georgia O’Keeffe. Top: Georgia O’Keeffe, Mesa and Road East, 1952, Oil on Canvas, 26 1/16 x 36 inches. After you’ve looked at the regional context and prior research, you can finally start on this site specific, archival research, and this is something that I wish I had started earlier in the project. Also found again on the aerial, an area of a squash patch that didn’t know about before, showed places where firewood was stored and a lot of other interesting uses of the landscape. It’s really helpful to have a survey and unfortunately a lot of the information that’s currently surveyed, it doesn’t include everything that we want to include so here’s a list of the features that I added by hand using a tape measure and also using a Trimble sub-meter GPS unit and this is just a screenshot showing my CAD file where I keep all the information. Here are two different landscapes … How to study all this. It goes back to that and when we had the discussion of what a cultural landscape is, then they were like, we want to do that and they have all the information. One of them cares for the landscape and knows he can walk around and say for every single thing that was planted, when it was planted and how it’s been cared for, if it was replaced, where it was replaced from, where he got the material from, all that information. Beyond standard landscape settings, she would also capture local tribal settings, as seen in XXX and XXX. Also, for this particular project, we’re looking at geologic time. The rugged terrain of New Mexico is stunning and rugged in equal measure, and offered hues ideal to her expressive artistic style. Georgia O’Keeffe. II, 1916. A great thing was as I mentioned, working with a local archeologist, I got to talk with him kind of like an informal interview and that saved me a ton of time and it was fascinating, because he actually gave me a whole list of books and journal articles and resources to just go read. His Catalonian landscape was full of reds and oranges which produced bright, warm subjects for his work. Susan Dolan: Say something about the objectives that the museum [inaudible] has with the treatment plan. Georgia O’Keeffe studio (background) and bombshelter (foreground), Katherine Boles, December 2019, Courtesy of the Georgia O’Keeffe Museum. This is the vegetable garden from last summer that the internship program planted and took care of and harvested and cooked a wonderful meal from but it’s different every year. While her work varied between the literal portraits, abstractions and Last fall I was looking at doing a lot of historic research and field research, like archival research and field research and then now in the spring I am grappling with trying to write this all up in a report and coming up with treatment recommendations, which I’m sure Julie will be very, very helpful with. For most people that have a ton of, I’m sure most people in the audience have a ton of research experience and this is maybe not helpful. I think maybe you all know, you would know way better than me if there’s like a really great tool online platform for researchers to share in real time with each other to update, it’s like Airtable or Google Docs, something like that but I was thinking like specifically for chronologies and for like a database of primary source quotes that would only be used internally but everybody can keep adding to it and the museum can keep it. National Center for Preservation Technology and Training, Preservation Technology and Training Grants, Guidelines for Treatment of Cultural Landscapes, University of New Mexico (UNM) School of Architecture and Planning, Historic Preservation and Regionalism program, National Park Service, National Historic Landmark program, S. Engl Family Foundation Library and Archive, Yale Beinecke Rare Book & Manuscript Collection. Any questions? Georgia O'Keeffe Sunrise and Little Clouds No. Thank you, Julie and Francisco Uviña, he’s with the UNM HPR program. 'Pedernal' by Georgia O'Keeffe. There are gravestones from where she buried her dogs and she had rock collection displays on tree stumps and things like that around the landscape. Specifically what was really helpful was correspondence, so I spent a lot of time reading the actual letters that Georgia O’Keeffe wrote to others and that other people wrote to her, which then you get in her own words or other’s words, different quotes in the particular time period about potentially the garden or the property. Because the cultural landscape studies exist with a prior, concurrent and future reports and they are living documents, it’s really important to have strategies to compile and organize all of this research, especially research that’s going on concurrent with current studies. And stayed with Mabel Dodge Luhan there. In year one, we’re focusing on the Abiquiú property and in the following years it will follow the same format, but we’d focus on someone else, a different fellow, would focus on the Ghost Ranch Property and then the larger Northern New Mexico areas that were important influences for O’Keeffe’s artwork and lifestyle. One thing that’s important is since this is a national historic landmark with association to Georgia O’Keeffe, is learning about Georgia O’Keeffe and there’s tons and tons of material out there so I look to the museum staff to help point me to the best resources. And with the increased pressure, her own preference and also the increased pressure of war rationing led to a desire to have another property and then purchasing the Abiquiú property within five years of purchasing this property and they’re very, very close to each other as we’ll see on this next slide. The house is adobe but it was stuccoed over with cementitious stucco, it was O’Keeffe’s decision to do that during her lifetime. One of the main difficulties was reviewing a large quantity material in a short period of time. This is a recent aerial photo so it’s looking straight down Google. The previous, the first image was taken like from here looking out so the Rio is over there and then that second artwork image was taken kind of looking that way at a little Mesa over there. Diesen Thriller kann man nicht aus der Hand legen… Ein fesselnder Psychothriller von Bestsellerautor Noah Fitz hier entdecken. I was like a believer, you actually know what’s happened here and you know what’s here, but things were all in all these different spots. Neuberger Museum of Art . Filter. I can’t really express how important this is for me on this project. Of note, we think that the original house on the site may have dated to 1744, which is 10 years the actual land grant took place. There is Abiquiú, there’s Ghost Ranch. Georgia O'Keeffe Above the Clouds I, 1962-1963. Citing her ability to put ‘her experiences in paint,’ Stieglitz wrote that he too endeavored to ‘put his feelings into form’ in his photographs of the trees, barns, and buildings, as well as the landscape and clouds that surrounded him.” (B.B. Culture was always an interest to Georgia O'Keeffe and locations such as these offered potential for both oil paintings and photographic artworks. Georgia O'Keeffe … In this photo here, this is a view from Georgia O’Keeffe’s Abiquiú property looking North and you can see the Rio Chama delineated by the cottonwoods in the fall, and this view is part of an important view shed from her property and it’s specifically from her studio, her painting studio and also from her bedroom and you can see it also from the driveway. I probably never would have found them on my own. Georgia O'Keeffe The Beyond, 1972. Honestly, I think I preferred the toothpick. Yes. Julie McGilvrey: I visited with the staff of the museum and this was probably three years ago now, and they discussed their projects in the future and then they said we have all these issues with a landscape and we don’t know anything about its evolution except they know tons about its evolution but it’s not put together, and so that was the conversation we had. Very close. Some of that is sealed and therefore inaccessible for a certain amount of time after death. This project that I’m working on is part of a three-year project that was a partnership between the University of New Mexico (UNM) School of Architecture and Planning, Historic Preservation and Regionalism program and the Georgia O’Keeffe Museum and the National Park Service, National Historic Landmark program. It’s interesting how to document that change in practices. There are other fellows that are studying various topics including like bones and rocks and cool stuff, and there’s also this internship program that the museum has started that deals with growing vegetables in O’Keeffe’s garden.